Recording by Rubinstein
Having listened to all of the etudes, I am moving on to the impromptus; there are only four of them.
This first impromptu has a theme with several sections that sound unresolved, and this drives the listener to anticipate the next part of the piece. It also drives the music forward. As a whole, this piece flows remarkably well; the use of continuous triplets may have something to do with this.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment